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Course: The Seeing America Project > Unit 5
Lesson 4: 1910-now- A magical landscape
- American resilience and the Great Depression
- Behind the icon, Dorothea Lange's Migrant Mother
- Jacob Lawrence, The Migration Series (*short version*)
- Jamie Wyeth, Kalounna in Frogtown
- Hock E Aye Vi Edgar Heap of Birds, Native Hosts
- Beatriz Cortez, Ilopango, The Volcano That Left
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Beatriz Cortez, Ilopango, The Volcano That Left
Beatriz Cortez, Ilopango, The Volcano That Left, 2023, hammered and welded steel, 12 feet high (© Beatriz Cortez, commissioned by EMPAC–Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, Storm King Art Center, and the Vera List Center for Art and Politics at the New School)
Beatriz Cortez, Stela Z, after Quiriguá (Contrary Warrior), 2023, hammered and welded steel, © Beatriz Cortez
Beatriz Cortez, Cosmic Mirror (The Sky Over New York), 2022, reconfigured 2023, eleven boulders, steel with patina, © Beatriz Cortez
Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Smarthistory.
Want to join the conversation?
- Thank you, good Doctors, for the wonderfully gentle way you have brought me into the world of Art History for these past 10 years. I'm back now, about 7 years after having "completed" all that was available up until August of 2016, and am delighted with all that has been added since then.
I know that the videos you have posted are now, as it were, carved in stone. I ask no changes in what has been done in the past. I do note, though, the jarring sound of the name of the city of my birth, Los Angeles, when it is referenced simply as L.A. The name is so sonorous! Why waste the chance to say it in full?(1 vote)